Posts Tagged content strategy

Governance – where to draw the line?

Back in the days of the wild, wild, west, gun fighters and bank robbers ran amok. Gentle folk were afraid for the lives and street brawls were commonplace. Okay, it was exciting, but reputable companies – I mean folks – stayed in the big cities and left the frontier towns to the lawless.

Aw shucks, it’s another metaphor.

The good thing about all those gunslingers and rot gut whiskey drinkers was they opened up opportunities. It was their all round recklessness that pushed the boundaries. But before these new opportunities could be truly capitalised on, somebody had to impose order.

Enter the sheriff…

The sheriff slung the drunks in jail and ran the gunslingers out of town. Sheriffs were also pretty handy with guns themselves. Not a few gunslingers were hired by towns to police their streets and gun down the ‘bad guys’. In fact, apart from the presence of the sheriff’s 5-pointed star, very little differentiated the law man from the lawless.

So, when you’re policing the streets, where do you draw the line? Okay, we’re ditching the metaphor now.

In terms of rolling out the concept of digital governance to wider audiences, I’ve chosen legislation and regulation as my entry point*. This is because, in lawful societies, the risk of legal penalty is a sufficient deterrent (particularly if you’re a big company with a lot to lose). It’s also something that attracts the attention of the board room, which, sorry, content per se does not

*I started to group together some of the more pertanent rules and regs in my previous post

But when you seriously consider what could impact on the correct governance and risk mitigation of digital content, you begin widening your scope – quite considerably.

For example, culture secretary, Jeremy Hunt, plans to publish a Green Paper setting out the scope of a new communications act by the end of this year. If you think this is just about hacking and tabloids, think again – and read the below…

Hunt gave a few clues as to areas on which he may focus, but appeared to indicate that one may be regulation of programming content on the internet.

Under the current EU Audiovisual Media Services Directive, “TV like” services, such as the BBC iPlayer, are subject to regulation. However, the level of regulation is less than that imposed upon traditional TV channels.

“Whether we are watching a broadcast live or through catchup TV services, via a TV or a computer, it is the content that matters, rather than the delivery mechanism,” said Hunt. “So should it be the case that the method of delivery has a significant impact on the method of regulation? Or should we be looking at a more platform-neutral approach?”

Source: http://www.guardian.co.uk/media/2011/jan/19/jeremy-hunt-communications-act

There’s data protection and eprivacy and the implications of the European Data Protection Framework (EDPF) Review (don’t ask me, I’m new here) and the Digital Economies Act; some might say the latter was rushed legislation aimed at pirate downloaders and which now seems to be languishing somewhere in Brussels. PRS for Music, which brings together the two royalty collection societies MCPS and PRS, is also looking at the whole area internet piracy and controlling copyright online.

Plus:

  • The EUs general concerns and overall remit around data protection and how personal data is used.
  • The ongoing digital implications for copyright and its infringement including ideas floated by the Hargreaves Review.
  • The impact of changes to internet protocols.

Then there’s the whole area of cyber security , the Government’s plans for a cyber security strategy, the implications of the Home Affairs Committee inquiry following last year’s riots, a warning from head of GCHQ’s about a ‘disturbing’ level of cyber attacks, as well as high-profile security breaches involving big names such as PlayStation and Google.

It’s not that organisations and governments are not increasingly on their toes when it comes to critical issues such as hacking and data protection. As early as its 2008-2009 report, the UK’s Intelligence and Security Committee raised concerns about the potential threat posed by cuber crime, not only to the UK government,  but also ‘critical national infrastructure and commercial companies’.

We therefore welcome the fact that this threat has been recognised and that cyber security is now listed as a Tier One national security risk. The new funding that has been made available, as part of the SDSR (Strategic Defence and Security Review), to fund cyber security work is a significant step forward.

Source: 2010–2011 Annual Report, Intelligence and Security Committee

All fine and dandy. But its the next bit of their latest report which attracts my interest…

Whilst the priority and funding are to be welcomed, structural issues continue to cause us concern. We have noted 18 units with particular responsibilities in this field across the three Agencies, two law enforcement bodies and five government departments. Between them they cover policy, management, intelligence operations, protective advice, detection and analysis, with some focused on crime, some on hostile activity from overseas, some on Counter-Terrorism and others covering all three. This risks duplication and confusion and cannot be cost-effective. We therefore recommend that work be done to rationalise the existing structures.

Source: 2010–2011 Annual Report, Intelligence and Security Committee

Some 18 different agencies all getting their head around cyber security. Cooks? Broth? Anybody?

I think there is a real danger that as the digital wild west becomes the tamed west that we could end up in a situation where the streets are populated by too many sherif’s, firing off their six guns for offences no more horrendous than jaywalking. I’ve read the phrase ‘governing the internet’ more than once and frankly it worries me. Didn’t Canute try something similar?

But it’s not all bad news…

After the gun  and the guns for hire, and the early day sheriffs who relied on their quick draw, there came judiciary and laws than formalised the processes for identifying bad from good and exacting appropriate penalties. That’s where I think we now need to go with digital governance.

Those of us involved in content, its creation and implementation are ideally placed to step into and exert our  influence in this area. I used the word ‘influence’ rather than, say, ‘control’, after careful thought. Think traffic police rather than Big Brother. It’s all about enabling the flow of communication while mitigating the risk of pile ups.

We already act as the linchpin for a whole range of disciplines. The image below was created by Richard Ingram and is one of many of his stunning visualisations that go towards explaining our turnkey positioning.

• We already have, and continuing to improve, a range of tools and methodologies that allow us to guide clients in project choice, rationale, implications and implementation.

• This is alongside the deploying of the actual content itself across an increasing array of channels and delivery mechanisms.

• To this array of tools and services we ‘simply’ need to  add governance tools and methodologies, such as a suitable content risk matrix that will allow us to identify the more important issues that clients need to address – and mitigate.

I’m going to show you what that content risk matrix might look like in my next blog.

 

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Enterprise information governance – webinar

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Why things aren’t black and white any more

Picture of hellbore flower with white and red petals

Hellebore plant - all will become clear later in this blog post...

I have a friend who recently had her garden renovated and decided to treat herself to some new garden furniture.

She started by ordering two big parasols off the internet in ‘black’. The only problem was that when they arrived they weren’t black at all, they were a dark grey.

“Ah yes,” said customer services when she rang to complain, “they’re a really, dark grey. Almost black.” “But not black,” said my friend. She sent them back.

Next she ordered some handmade metal furniture. It was expensive but looked beautiful on the website. She wanted black and while the furniture looked black in the photos, the colour was described on the website as “Hellebore”. My friend sent for a sample – just to be sure.

A small metal sample duly arrived. It was certainly very dark but the sample size and the matt paint finish made it difficult to be 100% sure. “Is it black?” she rang and asked the manufacturer. “Yes,” they said. When the furniture duly arrived it was… dark grey. “It’s our version of black,” said the manufacturer.

So, what’s the moral of this tale?

Picture of Hellbore with white petals

"Our particular shade of Hellebore black is quite unusual"

I’m not going to bore you with what happened next in this particular saga of retail ineptitude and arrogance, but from a content perspective, whether grey is the new black and whether you should call it Hellebore speaks to the heart of the content strategy conundrum for me.

“Conundrum,” I hear you say (okay, you’re not saying it but I’m fond of the odd rhetorical device), “Surely the case for content strategy is unequivocal.” Hmmmm.

Don’t get me wrong. Content strategy is the glue that allows its experienced practitioners, and organisations that listen to them, to make sound, cost effective decisions about content as an integral facet of any business or activity. Content is business. Business is content.

Without content in all its forms – from tweet to transaction process, article to image, video to brochure, app to pack shot – you cannot engage with your audience. Without content it’s like juggling with no hands. Without good content it’s like juggling with skipping ropes. It may draw the attention for a few minutes. But who wants to watch someone drop something repeatedly? Put the ropes down. It’s time to get balls.

Content strategy isn’t an easy option. Sometimes it means you have to unpick stuff that you’re been doing a certain way (and successfully) before you can ‘do’ your content properly. It can be like breaking a leg in order to reset it. But many organisations are happy to limp along rather than go through the pain. Personally, I find it very frustrating. Content strategy is black and white. But most companies still want Hellebore.

Bringing the metaphor back into the room…

From a marketing perspective, having a very, very dark shade of grey that’s not just described in your content as “Very, dark grey” or “Slate grey” or even “Almost black” makes a kind of sense. It’s a point of differentiation. It’s adding an extra layer of glamour. It is not particularly helpful, or useful, but if there are other more helpful and factual texts, perhaps some customer reviews and some good photography, this indulgent sub-routine of hyperbole is tolerable.

Back in the days before the interweb, it may not have mattered quite so much. If I went to a shop I could see products with my own eyes. Hellebore be damned, it’s black.

Product brochures and retail catalogues for any halfway decent brand were usually produced with scrupulous attention to colour accuracy. It saved on returns and refunds. It protected the brand from disgruntled consumers.

So, I ask myself, has something changed (or failed to change) now we’re engaging with products and services online? If organisations don’t pay attention to the basics such as product descriptors and colour accuracy, don’t they run the risk of customers ringing up to raise hellebore?

The accuracy (or lack of it) in online colour rendering is one issue. But it speaks to the bigger picture. It means that an organisation or organisations didn’t think about how the colour might render on a computer, laptop, mobile or tablet screen, or how it may vary  if a potential customer decides to run off a hard copy on their printer?

Did anybody think?

The very expensive garden furniture on the website my friend ordered from was pictured in shades of red, pale blue, black(ish), green and white, described respectively as carmine, salvia, hellebore, hosta and aconite.

In their original and horticultural terms aconite and hellebore are plants that come in various colours. Personally, I’d say that aconite is more likely to be perceived as a darker colour. There are slight witchcraft connotations and when you look online it does seem to turn up as a colour descriptor for dark grey or dark blue (although it can be a bright yellow). Hellebore, as a plant, is commonly a white or greenish white (but it can also be pink and even a blood red).

Is it possible that the words used to describe the colours shown in the pictures got mixed up? As the colours aren’t described in common sense terms, would anybody have known to correct them?

This is more than just a rant about Marketing speak. It opens up a whole other area of content issues (that keep content strategists and their clients awake at night… maybe) – such as content labelling, defining real estate  and its purpose, use of copydecks, meta data matching on text and images, using content systems to ensure the right content is put into the right place both online and offline, understanding context, competitor research, word usage, search implications… And I’m thinking of all of this just because an online retailer of sun umbrellas and a manufacturer of expensive garden furniture can’t lower themselves to use the words: ‘dark’ and ‘grey’.

It could also have been addressed by larger samples, accurate descriptions, meta tagging and a more sympathetic customer service. It could have been addressed by a company simply saying: is Hellebore good enough?

Now, here’s the segue…

I’m speaking at CS Forum London this September. The title of my talk is Content doesn’t just happen. And while the colour of garden tables may not be a nuclear issue, it does speak to the fact that businesses are still not thinking about the basics online or understanding how fundamentally catastrophic this disregard is. And they’re certainly not thinking about their customers (in anything more than cash cow terms).

This thinking has to extend far beyond simply being able to ‘write well for the web’ or the production of ‘web-ready’ content. It means learning how to read audiences and then structuring content that ‘fits’ the context of that audience. It touches everything from technology to what your marketers and product / service developers decide to name your latest offering and the colours it comes in.

Maybe Hellebore is the new black. Maybe juggling with skipping ropes is the next big thing. But I very much doubt it.

» Content Strategy Forum 2011 London Sept 5-7

 

 

 

 

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Why content strategy is no miracle cure

Penicillin, central heating, Spanx… could be termed ‘miracle cures’ (okay, so some antibiotics don’t work as well these days, but I’m wrestling with analogies here – cut me some slack). What I mean is that once they’re applied their impact is almost instantaneous and evident. I live in a world which is warmer and where I suffer less strep throat thanks to two of my analogies.

If you want to know more about Spanx, consider why actresses strutting their stuff down the Oscar red carpet never wobble or bulge. Ever.

But content strategy isn’t Spanx. For a start, it isn’t one thing. It is a lot of expertise housed within the brain of a person demonstrating content strategising abilities and which includes “established disciplines – such as communications and editorial planning, marketing, content and author development, with new disciplines such as digital workflow planning and management, auditing and behavioural insight, social media and traffic analysis”.

The preceding bit is within inverted commas because I’m quoting from the content strategy course that CDA runs through emarketeers and where the emphasis is very much on skills development. » Web content strategy training course: Maintain control of content planning for online projects

We can also define CS as a range of solutions, supported by tools and methodologies. CS is Spanx, personal trainers, Botox, dieting, cosmetic surgery, gatric bands, cunningly cut designer gowns,  make up artistry… plus other stuff that Hollywood celebrities will go to the grave without revealing. Miracle cure it isn’t. It takes time. It’s painstaking. It’s more than just contouring underwear.

image shows website in corset going down red carpet while onlooker says "If you set aside the discovery work, data analysis, UX, taxonomy and brand work, the training, the TOV, style guidance, and the content management approach, this website’s transformation has been nothing short of miraculous "

Yet there is an assumption from clients that content strategy might cure content ills in an out of the box way. Just slip the website, say, into its figure-defining support and it can strut its online stuff down the red carpet, ready to pick up an Oscar or two from an adoring user base.

If anything, CS has more in common with a good personal trainer who will figure out why your content is unfit. A good personal trainer will devise diet plans (what goes in) and excercise regimens (outputs). He or she will get to the bottom (so to speak) of your bagel dependency and adapt your programme as you get more fit – or fail to. It is an ongoing and evolving process. The bulk of the work is going on inside.

Okay, where I am headed with all this…

Well, part of me is questioning whether we are in danger of defining CS as Spanx sometimes? Are we guilty of allowing clients to think they can buy (and we can price) this stuff in a box? Do we name it too often as if it were a single thing? Do we appear to promise it as a miracle cure rather than a fitness programme? Take two pairs of Spanx and see me in the morning?

When I run the web content strategy training course I am constantly considering how movers and shakers within orgnisations conduct themselves and get thesmelves and their proposals taken seriously. A Finance Director wouldn’t define is skill set as finance directing. So, if I’m not a content strategist – what am I? Answers on a postcard please…

part of web page from emarkteers site which promotes the courseWeb content strategy training course

There are places left on the July 18 content strategy course in London. » If you’d like to book a place you can do so here

Why the Spanx analogy Anne?

I was at an awards evening in London a little while ago and was in conversation with two fellow content strategists, when the miraculousness of Spanx and ordering them online was revealed to me, forever linking CS and Spanx in my head. You know who you are…

 

 

 

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Why does less cost more?

The lab rats and I have been pondering the quality v. quantity question recently. A lot of what we deal with as content strategists seems to rest on a (client?) perception that content is relatively low cost and readily available. Everybody can write, right? (And lots of people can pick up a camera to create moving or still images – which are also content, let us not forget.) The big money is in the code and the technology, the build and the maintenance, even the search and findability aspects of a project.

Sometimes I just drive out into the countryside, find a lonely hillside and howl “WRONG!!!” at the moon. Other times I sit in the office and ponder what we’re really dealing with here in terms of perception / mindset… It’s an interesting ponder.

The congility and Publishing expo logos? And as I’m going to be speaking around this subject a little at next week’s Congility @ Publishing Expo in London on March 2 I’ve been pondering more than uusual.
» The lab rats go to Congility @ Publishing Expo

Scarcity and monetary value have long been linked. It’s one of the reasons why I don’t have a platinum bathtub or a 2 carat solitaire diamond ring. But underpinning the scarcity-value proposition is a far more fundamental one – supply and demand…

As soon as demand exceeds supply in the monetary model the price starts to rise. Financial markets are founded (and occasionally founder) on this principle. So there’s an automatic hardwire in our brain that takes us from less to less costs more.

Bloody publishing battles

This has created some bloody battles that started happening long before the internet was a glint in the eye of  Tim Berners-Lee. For example, traditional newspaper publishers have been fighting price and circulation wars for years (I speak as a former journalist and editor). Newspapers compounded things by introducing the more costs less approach, battling for readers by slashing prices and offering newspapers composed of myriad sections, a glossy magazine and a free DVD if you’re lucky.

And then the internet came along and there was even more more. We filled this virtual world with websites, emails, text messages, blogs, social media hubs and all this  information composed of bits and bytes that can now be squeezed onto flash drives, themselves as cheap as chips. The entire Library of Congress could be digitised and secreted in a gnat’s armpit.

cartoon showing two stick figures looking a jewller's window. the window is full of laters of the alphabet and words. one man is saying to the other: I remember when you could buy a whole alphabet and still have enough left over to get a fish and chip supperSo, where does that leave us? Is more always going to be cheap? Does it deserve to be anything else?

Okay, so those were rhetorical questions. What we have to do is get behind the content and feel the value.

Content is a means to an end. Content brings us information, which if configured right, allows us to extrapolate value as knowledge – usefulness, if you will.

We may have lost the ability to value to content intuitively because all we can see is how much of it there is, but we can reconnect with it’s unlying value as a carrier of knowledge.

More is priceless

As a content strategist I know that, far from more containing less value it has given us something priceless. More content has allowed us to experient and ring the changes with content in a way that was not possible when all content was offline and there was less of it (or it took longer to create and was more unweildy once created).

We can flex it and change it, measure it and track it – then change it some more. We can move people seamlessly through journeys that connect across on’ and offline nodes of information (a while since you heard the old ‘node’ term huh?).

We can also think long and hard about how we monetise these journeys. I hate the term ‘paywall’. It’s not the concept I hate, it’s just the idea of a pay wall. It sounds too much like  pain barrier to me. And there’s all sorts of stuff that we’ve yet to grasp effectively. The use of moving images and interactivity, the use of the visual (eg QR codes), hyperlinking and microlinking. Maybe more will never cost as much as it should but we can certainly get better at attaching the right value it.

publishing expo March 1 and 2, Earls Court, LondonYou can find out more about where these thoughts are leading me and the rats in the lab if you come to Congility @ Publishing Expo, Wednesday, March 2, Earls Court 2, London. » Read an outline of my presentation

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Online marketing comms – rules tighten. Let the seller beware

From March 1, any communication on your website that sets out to tell users about goods, services, opportunities, freebies… but where the primary or ultimate  aim is to sell something, will be regulated by the Advertising Standards Authority (ASA).

The ASA is the UK’s independent advertising watchdog, responsible for controlling marketing communications in all media in the UK. (They work with statutory partners such as Trading Standards, the Office of Fair Trading and the communications regulator Ofcom.)

The March 1 changes cover the marketing communications of all organisations operating from the UK on their own websites and in other non-paid for space online under their control eg Facebook.

The ASA talks about copy a great deal in its guidance but their remit could easily extend to any type of content, for example a home page video or a viral campaign on YouTube.

Ready?

The ASA’s extended remit may come as a surprise to a lot of organisations (the ASA’s own cross-media advertising campaign was only launched at the weekend). As always the big question is who’ll get their knuckles slapped first, for what and how hard?

The ASA’s punitive powers already include obliging broadcasters to comply with ASA rulings but  it’s also brought in some new sanctions from March 1 including “an enhanced” name and shame policy. And paid-for search advertising that links to non-compliant marketing communications may be removed with the agreement of the search engines.

It’s also important to keep in mind that marketing content that falls under the scope of the ASA’s remit may not necessarily include a price or seek an immediate financial transaction. Let the seller beware.

The change falls under the scope of UK Code of Non-broadcast Advertising, Sales Promotion and Direct Marketing (the Committee of Advertising Practice / CAP) Code.

CAP decided to extend the digital remit of the ASA in response to formal recommendations from a cross-section of UK industry, including the Internet Advertising Bureau. Nick Stringer, director of regulatory affairs for the IAB stresses that self-regulation must maintain pace with today’s fast-moving digital environment and changing consumer behaviour. “The ASA’s extended digital media remit aims to protect internet users and enhance their trust, as well as industry and political confidence, in the medium.”

What’s covered:

  • advertisers’ own marketing messages on their own websites, regardless of sector, type of businesses or size of organisation
  • marketing communications in other non-paid-for space under the advertiser’s control, such as social networking sites like Facebook and Twitter.

What’s not covered:

  • classified private advertisements
  • press releases and other public relations material
  • editorial content
  • political advertisements
  • corporate reports and investor relations.

User generated content?

ASA points out that generated content (UGC) that has been adopted and incorporated within an organisation’s own marketing communications could be covered. This will be considered on a case by case basis.

For example: “ASA is likely to take a very different view of a consumer’s positive comment that has been posted, by the website owner, in a prominent way on the front page of its website, than if that same comment appeared within the context of a consumer message board moderated for harmful and offensive language or images only”.

How to make sure you comply

CAP is offering guidance and courses. The IAB has also including some useful FAQs on its website. From a content strategy (CS) perspective the key thing is to make sure that all your content is fit for purpose and doesn’t fall shy of any regulation.

While the March 1 changes are the latest, many websites fall short of what’s required elsewhere – for example Part 3 of the Disability Discrimination Act which covers access and came into force back in 2004. Ringing any bells? It means your website must be accessible to blind and disabled users and this should be influencing everything from colour choices to meta data.

Content audits and the use of copydecks are just two of the CS tools where regulatory or legislative requirements could be captured and verified. Even without the weight of law, large organisations need to be running tight ships – eg who wrote it, when, who signed it off? Clearly defined and maintained internal content creation processes are a must. And let’s not forget content training that not only improves content creation skills but raises general organisational awareness of why all content, on’ and offline is so important.

Apart from anything else, if you can demonstrate you did your best to comply with this law or that regulation, the punitive response maybe be less harsh than in organisations where content is chaos rather than king.

Useful links

» More about the CAP guidance
» IAB Extending the digital media remit of the Advertising Standards Authority FAQs PDF

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A good website is like a good Christmas tree…

A good website is like a good Christmas tree…  ‘Ah’ I hear you say, here comes the tenuous festive metaphor. Not so, you cynical lot, but a seasonally-apt reminder that good websites are predicated on structure, not tinsel and baubles.

And notice that I say ‘good’ website, not ‘great’ website, or ‘fantastic’ website. ‘Tis the season to be hyperbolic but pursuit of the online ‘wow’ factor has caused many a website project to crash and burn.

Your ambition should be a good website. Something that will last – and accumulate value over time, like a good Bordeaux. (Okay! Trees, wine… to many metaphors already.)

So let’s get back to that Christmas tree…

The reference to websites and Christmas trees actually came up in a meeting where we were discussing the structure of a large site and considering the dynamics involved when finalising the Information Architecture. On the one hand, there’s the user, who wants to get in, do the thing they want to do and get out again. They don’t want to hunt for anything (maybe a bit of light foraging) or translate company-speak. Then there are company structures, business configurations and hierarchies… Maybe a little internal politics?

Add to this a layer of reluctance, or exhaustion, from people who find themselves in some way responsible for the content or its creation. Yet another conversation about the top level navigation, deeper structure and labelling rationale? Yeesh!

So, how much does it really matter? You buy your Christmas tree – any size and shape will do – and then you cover it with lovely decorations and lights that wink and glitter at users. How much does the underlying shape matter once all that stuff is covering it?

Okay people, here’s the deal: a website is for life, not just for Christmas. It has to serve you well and grow as your organisation grows. Overlong or stunted branches can cause the whole thing to topple. You can stuff a fairy on the top but if the tree’s got too many branches or too few, if it leans to one side or has a kink in the trunk – you’re screwed.

And, if the structure is poor, there is even more temptation to layer the whole construction with even more tinsel and shiny bits. Lots and lots of ornaments (or pages and the odd bit of Flash) may distract from the underlying problem – a rubbish shape.

So whatever stage your at with your current web project – whether you’re starting new, or going in for a little pruning – take a step back and look at that structure. Is it strong and straight? Does it make sense? Is it pleasing to the eye? Is there room for other branches to grow? Growth is the final metaphorical twist in this seasonal story…

You can buy a Christmas tree that haa no roots. It’s designed with built in obsolescence. After Christmas you chuck  it out. Next year, you get a new one. But a good Christmas  tree / website needs to be nurtured and should be bought to last. It needs soil and water (or content and creativity). It needs looking after.

So go for straight and strong with roots. Merry Christmas.

And take it away Bing!

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Mentoring – is it different for women?

I was at a meeting organised by Amanda Davie at Reform, which looked at the need for a mentoring scheme aimed specifically at women working in the digital industry.

It was a great meeting.
I met some great women.
The mentoring potential in the room was awesome.

Ah, if only I was 30 years younger and had just one of those women going into bat for me. I could have invented facebook, or, at the very least, been running Microsoft.

I’ll tell you how the scheme develops over the coming weeks, but, in the meantime, the meeting got me thinking about the whole area of mentoring, whether women need specific schemes and what is it about the nature of digital disciplines that might make women less, or more, enfranchised?

I started to think about my early year’s in the newspaper industry. One thing I remembered was that, when I started out, I was my own worst enemy. I remember attending an interview and saying that I had ambitions to work in the magazine industry. Why? I was asked. Because I thought that it would be easier for a woman to get on in magazines than in newspapers, I replied. I was in a room full of blokes, all with newspaper backgrounds, and you could have heard a pin drop.

The fact is I’ve seen women struggle through glass ceilings only to pull the ladders up behind them to prevent other women getting through. I’ve seen men and women extend the hand of support and give me and others, opportunities that I can only wonder at in retrospect. They had faith. They gave us a chance. They gave us the confidence to give something new (and scary) a go.

And I suppose that’s what we all need – faith, opportunity and confidence. And, I suspect, that’s what good mentoring comes down to.

I distinguish mentoring from other types of ‘help’, such as old boy networks. Old boy networks are predicated on something different entirely. They’re based on giving someone a leg up because they happened to go to the right school (or be the ‘right’ gendre).

Modern mentoring is all about spotting the potential in someone, or coaxing out that potential, so they can be the best they can be. In that respect, perhaps women are more able to spot potential in other women. And as digital disciplines are relatively young, the women who have experience in them are even more valuable (as younger industries don’t have a large population of veterans to call on).  These woman have seen their areas of expertise evolve at a breathtaking pace. In some areas they may well be the minority gendre. They recognise the issues – a lack of confidence, perhaps; lack of technical training, concerns around combining work and family…

I mention the latter but this is not about women needing different mentoring because they also make babies. Some women have families, some women don’t. It may be part of what makes you, you. It certainly isn’t all of what makes you, you. Not by a long chalk. But a mentor could just as easily be dealing with someone who wants to combine a fulfiling professional role with time to volunteer in the charity sector.

The fact is I warm intuitively to the idea of women, such as the ones in the meeting I attended, using their experiences, empathy and objectivity to mentor other women. And, as a woman, I set great store by my intuition.

» Find out more about Mentoring Women in Digital on LinkedIn

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10 really good reasons (no, honestly) for postponing what you could do today about your website content

Walk around client offices and marketing seem to have a spring in their step. Even the guys in IT are whistling ’1000 Points of Hate’ by Anthrax (this is a good sign). But… Well, there’s always a but, isn’t there?

Just sometimes I hear those sit on your hands excuses in some quarters. They may get trotted out just before you press the big fat ‘Go’ button, after all the discovery, auditing, interviewing, planning, workshopping etc has gone on. And, of course, they’re always really, really, really good excuses reasons for not doing something. They’re so good, in fact, that I thought I’d list them here.

1. ‘We can’t start the web project until we’ve…”

This is an excellent reason for not doing something. It’s worth making a real effiort to find another piece of work that requires time / budget and which can be positioned in the way of the proposed web project. Particularly if that proposed web project might take your organisation outside of its comfort zone.

2. “All this background and planning work is fantastic. But we need to spend some time considering the next step.”

Okay, if used in moderation this is fine, valuable even. But, to quote Dionne Warwick: “Weeks turn into years – how quick they pass.” Of course, it makes perfect sense to see any web project as a single, HUGE project that can’t be broken down into sections. It’s a much better idea to think about things really slowly and lose all the forward momentum. With a bit of luck all the prep work will be out of date and useless.

3. “We’re currently advertising for a Head of Interactive Experiential Human Interfacing and all projects are on hold until we appoint and they have a chance to review everything.”

Maybe it’s just me but didn’t you know you were planning to get a new Head of IEH before we started working on this project?

4. “We want to carry out your recommendations but we haven’t got sufficient resources.”

Maybe it’s just me but didn’t you know there were resource issues before we started working on this project?

5. “Thank you so much for all the time and effort workshopping taxonomy, Information Architecture and topic headings but we don’t want to change the current site navigation.”

Yup. That makes perfect sense.

6.  “Rather than make some changes now we’ve decided to wait until we can afford a totally new website in a year or so.”

We totally agree. Your site users will be quite willing to wait and it shouldn’t impact on sales or your brand one jot.

7. “You seem to be suggesting that there should be collective responsibility for content creation and maintenance and we can’t just leave the job to… Our people just don’t have the skills or the time.”

Of course you can give people skills, processes and methodologies that help create the time (efficiencies) and also impart a collective shared enthusiasm for the power and benefits of web-based communication. But heck, I’m just messing with your head.

8. “The chairman’s wife does a little creative writing and we’ve asked her to look at the website.”

Okay, I only heard this one used once and that was several year’s back. But it’s still a corker.

9. “We haven’t got the money to do everything we want so we’re not going to do anything”.

Do you want me to pop the toys back in your pram now?

10. “This is David. He’s working as an intern with us over the next six weeks and will handle most of the implementation.”

Hi David. How many pairs of hands have you got?

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How online audiences are treated – and why?

I was talking to CDA co-founder Clare O’Brienabout her her presentation to the Content Strategy Forum in Paris and how online audiences are treated (and the role of metrics in framing that relationship). That got me thinking (slowly) and the below is the result.

Most people accept that online is not a broadcast media and while we are confronted with harnessingf the power of the many we’re actually having mutiple one-to-one conversations in the deeply personal space that exists between the user and their screen. But at the same time we measure in a very broadcast way. It;’s so easy to become obsessed by search volume and clicks.You here audiences talked about as if they were individuals, but then measured as collectives.

Yet some organisations still don’t appreciate what this means in terms of what they say and why they say it. They can be glib and almost naive in terms of the messages they put out, assuming that tricks and finesses will engage users as if they were magpies drawn to sparkly objects.

And just in the same way that a magpie may be attracted as much by a cheap shiny bead as by a precious ruby, so many organisations have come to assume that cheap content will do.

Oh, I know that certain types of content have a value that’s higher than plastic beads, but this value was often originally ascribed in a traditional space – for example, television advertising, or the exquisite glossy brochures much beloved of the high end car market.

But content that developed in the online world came into being, originally, as an afterthought:

“Hey, Joanne, the new website’s up but there seems to be a problem.”

“What’s that Stan?”

“Well, there seems to be all these white spaces. Looks great though…”

“Where are these white spaces?”

“Kinda in the centre of the screen. And on every web page!”

“We didn’t have white spaces like this in the last brochure that went off to the printers.”

“No.”

“Well, can’t we do the same thing on the website?”

“Hang on – I’ll check with IT…”

So words flowed on to web pages, in around the lovingly built online spaces. Often the brochure copy was sliced and diced to fit – hey, it had already been paid for, so it was a cheap fix.

online audiences cartoon

Now that’s all fine and dandy, but online isn’t offline. It’s that one-to-one conversation. Plus, people are online to do something. They require useful content that centres on their needs and actions.

Organisations have picked this up but the cheap thing still seems to linger. And words can be bought by the yard to fill websites by the page.  The fact that content doesn’t have to be words and can be a rich and varied mixture of words,  imagery and interactivity, is still being grappled with in the budget configurations that may operate like glorified jam jars (only one of which is labelled ‘website’). Apart from anything else, once you get into all that other stuff – forms, videos etc – the price starts to go up. Plus you need a cohesive content strategy  that oversees communications across on and offline positions and is coupled to processes designed to evolve communication creative that can be atomised, repurposed and applied across multiple platforms…

Of course, strategy and process can help organisations save on costs. But they would have to think about things very differently. It would also redistributed budget load, placing earlier and deeper emphasis on planning and thinking rather the the cost of the final content output. Yes, there are exceptions to this. but not enough to make a rule in my book.

And while audiences are still being measured as collectives, organisations are unlikely to be too uncomfortable with this words-by-the-yard approach.

The dissatisfaction an individual user may experience is obscured by mass metrics in a medium when we can measure everything and know so very little. The metrics, on the other hand, make for great bar charts and PowerPoint presentations. How you analyse these mass metrics but also hear all these lone voices takes up a great deal of CDA’s thinking time and is the driving force behind CUT – the Content Usefulness Toolkit, which we’re currently developing.

So, I thought, will organisations ever value online content as they ought while they’re still grappling to value individual consumers as they deserve to be valued online? How can content be king when we treat web users as the great unwashed? Valuing content is all about valuing individuals and their experiences. Now, that would be more precious than rubies and just as attractive to magpies.

All kinds of useful stuff

» You can access Clare’s Paris presentation here

» Here’s a little more about CUT

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